DMovies - Your platform for thought-provoking cinema

Film review search

The fields "country of origin" and "actor" were created in May 2023, and the results are limited to after this date.

After Yang

A couple scrambles to fix their android babysitter, to whom they have become strangely connected in more ways than one - enrapturing sci-fi tale starring Colin Farrell shows at Sundance

South-Korean American filmmeker Kogonada made a splash at Sundance five years ago with his debut feature Columbus, about the friendship between an architect scholar and an architect enthusiast. He’s now back with After Yang. His new, more ambitious film dips its toes into the realm of science fiction. The movie is set in a future where androids are routinely purchased and used for domestic tasks.

Jake (Colin Farrell) and Kyra (Jodie Turner-Smith) are the parents of an adopted Chinese girl Mika (Malea Emma Tjandrawidjaja). They purchase a robotic family member called Yang (Justin H. Min), who acts as a big brother and babysitter to their daughter. He also teaches her about her heritage, something with which the Western couple have no personal experience. One day, Yang the “techno-sapien” becomes unresponsive, and his parts have been discontinued. Neither Mika nor Jake want him recycled, and so Jake attempts to to fix him. That’s when he learns some surprising details about Yang’s existence.

Colin Farrell has just become a more interesting actor as he ages. After Yang continues Farrell’s strong run of performances in recent years: it’s very much his journey of discovery. He briefly does a very convincing impression of Werner Herzog. The other three members of the family give strong performances, too. Min is the standout, despite being on the blink for much the film’s running time. He has an unearthly presence, and he makes a particularly strong impression in flashback scenes. His performance is somewhat reminiscent of Brent Spiner’s Data from television series Star Trek: The Next Generation, with Min bringing a real humanity to the “techno-sapien”. Haley Lu Richardson, who also appeared in Columbus, plays a mysterious stranger named after the Vladimir Nabokov novel Ada.

L.A. based Japanese composer ASKA signs the film score, enhanced by a Ryuichi Sakamoto theme. Japanese-American composer and songwriter Mitski covers the song Glide, which first appeared in the Japanese movie All About Lily Chou Chou (Shunji Iwai, 2001; a film about young people failing to connect in an alienated tech future).

After Yang is a beautiful sci-fi tale about grief, loss, and how we only value our personal connections after they literally disconnect. It will appeal to both genre fans and people who generally eschew science fiction for more conventional arthouse fare.

After Yang just showed at the Sundance Film Festival. It premiered last year in Cannes.


By Ian Schultz - 25-01-2022

Ian Schultz is a film writer based in Leeds, where he runs Psychotronic Cinema. He has been writing about films for about eight years, with articles and reviews appearing in Little White Lies and Live...

Film review search

The fields "country of origin" and "actor" were created in May 2023, and the results are limited to after this date.

interview

Paul Risker interviews the co-director, writer and actress [Read More...]

1

Paul Risker interviews the director of the generational [Read More...]

2

Nataliia Serebriakova interviews the German director of observational [Read More...]

3

Victoria Luxford interviews the first woman director from [Read More...]

4

David Lynch's longtime friend and producer talks about [Read More...]

5

DMovies' editor Victor Fraga interviews the woman at [Read More...]

6

Eoghan Lyng interviews the director of family/terrorist drama [Read More...]

7

Eoghan Lyng interviews the Thai director of New [Read More...]

8

Read More

First Days

Michael Karrer, Kim Allamand
2026

Daniel Theophanous - 01-02-2026

Two Swiss filmmakers meditate on mortality, in this sensory and experimental movie - from the 55th international Film Festival Rotterdam [Read More...]

Why Do I See You in Everything?

Rand Abou Fakher
2026

André Vital Pardue - 01-02-2026

Two Syrian friends reframe archive images of protests as intimate reveries, in this micro-budget film about political defiance - from the 55th International Film Festival Rotterdam [Read More...]

La Belle Année

Angelica Ruffier
2026

Fortunata Manenti - 01-02-2026

Swedish documentary celebrates Sapphism, while weaving together family trauma and the memory of unrequited love - from the 55th Rotterdam International Film Festival [Read More...]