Ian Schultz explains why THE MAN WHO KILLED DON QUIXOTE is Terry Gilliam's best film since BRAZIL, and that it was worth crossing the Channel overnight and by bus in order to watch it! [Read More...]
Terry Gilliam's intended magnum opus is a cauldron of self-references with a few good moments, but also a little hackneyed and unintelligible - now on all major VoD platforms [Read More...]
