Susanne Gottlieb
Vienna-based film writer with vast experience in Austrian and European publication, and archiving
Susanne Gottlieb is a cultural and film journalist based in Vienna who has been published in the daily newspapers Der Standard, Kleine Zeitung, Wiener Zeitung, NZZ am Sonntag, in the magazines TV Media, Filmbulletin, The Gap and Cineuropa. She has also written guest articles for Kino Zeit, Talking Shorts and Ubiquarian.
She also works as an archivist at the Filmarchiv Austria and as an exhibition assistant and team member at the Metro Kino Kulturhaus. She has contributed to catalogues for the Zurich Film Festival, the Locarno Film Festival and the Diagonale in Graz. She has routinely moderated films talks and Q&As. She holds a a degree in journalism and theatre studies.
Other posts by Susanne Gottlieb
Super Happy Forever
A widower returns to the seaside town where he fell in love with his wife, in Kōhei Igarashi's quiet and empathetic examination of loss - from the 72nd San Sebastian International Film Festival
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I believe the children are the present
Movies unite and create memories. And not just for adults. A vibrant audience is often pushed to the side. Tallinn has set out to change this!
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Mond
In her sophomore feature, Kurdwin Ayub explores the harsh reality of three sisters in Jordan, and the difficult choices their Austrian martial arts trainer has to make - from the Official Competition of the 77th Locarno Film Festival
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Windless
Memories resurface and hell breaks loose when a man returns to his Bulgarian hometown to in order sell his late father’s flat - from the 58th edition of Karlovy Vary
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The Exorcism
Banking on Russell Crowe’s newfound love relationship with b-horror, this new flick (about a troubled actor shooting a supernatural film) has virtually nothing to offer viewers - on VoD on July 22nd
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Sisterhood (HLM Pussy)
Building upon the principles of #MeToo, Nora El Hourch demonstrates that female emancipation often comes from a place of privilege - French-Moroccan drama premieres in the 32nd edition of Raindance
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The Click Trap
Beyond the state-of-the-art talking heads, quick edits and eerie music, an unsettling truth unravels: tech companies control us in more ways than one - creepy doc premieres at the 32nd edition of Raindance
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When alienation and loneliness stand the test of time!
Michelangelo Antonioni’s visual and emotional grammar have enormous repercussions on contemporary cinema - in partnership with Doesn't Exist Magazine
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