Marina Richter
Belgrade-born and Vienna based film critic, consultant and publisher
Marina Richter is a Belgrade-born, Vienna based film critic, script consultant, published writer and founder/ editor-in-chief of Ubiquarian. She’s been reporting on film and art as foreign correspondent for the culture department of the Serbian newspaper Politika since 2005. She was a regular contributor to the film column of the longest-running Croatian on-line newspaper Monitor, and she wrote about film for the Serbian weekly Vreme.
Her film reviews and interviews are published in Cineuropa, in the Estonian cultural weekly Sirp, EFA newsletter, Vice and the Slovak Film.sk. She regularly contributes to Asian Movie Pulse and the film-specialised print weekly Objektiv. Marina is a member of the Serbian Fipresci, AWFJ and and the European Film Academy.
Other posts by Marina Richter
Southern Chronicles
Aspiring rugby player discovers his writing talent after falling for a literature-loving, middle-class girl - Ignas Miskinis’s impressive feature is in the Baltic Competition of the 28th Tallinn Black Nights Film Festival
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Black Velvet
An aspiring director loses her compass while desperately trying to make her first movie become reality - from the Baltic Competition of the 28th Tallinn Black Nights Film Festival
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Anna LOL
Latvian teen on the path to self-destruction seeks help from shamans, healers and fortune-tellers, before turning to men with highly questionable intentions - from the Baltic Competition of Tallinn Black Nighs Film festival
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My Partners
Estonian director asks in her contrived documentary whether polyamorous relationships are entirely voluntary - from the Baltic Competition of the 28th Tallinn Black Nights Film Festival
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I Can’t Have Sex (No Puedo Tener Sexo)
Argentinian woman seeks emotional healing by making a documentary about her sexless life - from the Rebels with a Cause section of the 28th Tallinn Black Nights Film Festival
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Tasty (Gardutė)
Two friends scam their way into a popular cooking competition on television, in this acidic criticism of the entertainment industry – from the Baltic Competition of the 28th Tallinn Black Nights Film Festival
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