DMovies - Your platform for thought-provoking cinema

Film review search

The fields "country of origin" and "actor" were created in May 2023, and the results are limited to after this date.

Anna’s War

Six-year-old Jewish orphan survives Nazi occupation of Russia by hiding under her mother's corpse and then in a disused chimney - from the Tallinn Black Nights Film Festival

QUICK SNAP: LIVE FROM THE TALLINN BLACK NIGHTS FILM FESTIVAL

Anna’s family has been killed by the Nazis. The bodies are piled up on top of each under a thin layer of soil. Yet the young girl (played by Marta Kozlova) has miraculously survived. She finds shelter in a large disused building. She hides mostly inside the chimney and in the attic. She has to fend for herself for the remaining duration of the War.

Anna’s War is almost entirely devoid of dialogue. The director made the audacious creative choice not to use any subtitles at all. Except very briefly in the beginning of the film when Anna is found and identified as an “Yid” and then again in the end of the movie, when her hiding spot is briefly uncovered by a local Russian (who decides not to hand her in). Presumably, the girl only spoke Yiddish and the director wanted to emphasise her alienation by rendering the dialogues incomprehensible (unless you speak Russian, German and French). It works.

Sadly, that’s about the only creative choice that’s effective. Otherwise, this Russian production tries too hard to be some sort of avant-garde art house movie about children in wartime. This is neither Anne Frank nor Ivan’s Childhood (Andrei Tarkovsky, 1962). It has neither the superb storytelling skills nor the artistic flair. Not a scintilla of it. The DOP pulls a couple tricks on dirty mirrors, perhaps attempting to emulate Tarkovsky, but it just looks silly and banal. Instead, Anna’s War looks like a poorly executed British television drama, minus the dialogue.

In addition to the cumbersome aesthetics, the make-up is also problematic. A little coal rubbed on you face does not indicate severe malnutrition. Anna survives on mostly on dirty liquids (including her own urine) and detritus, yet somehow she’s the picture of health. The inhumane conditions in which she lives are very awkward, and the settings just don’t look very credible. Plus, Kozlova’s performance is a little stilted, and it seems she’s consistently acting on cue.

Overall, a great premise and yet a missed opportunity. Perhaps the whole thing would have functioned better as a short film instead.

Anna’s War is showing at the 22nd Tallinn Black Nights Film Festival. DMovies is following the event live.

https://www.youtube.com/watch?v=Lk2DB0Ox64M


By Victor Fraga - 22-11-2018

Victor Fraga is a Brazilian born and London-based journalist and filmmaker with more than 20 years of involvement in the cinema industry and beyond. He is an LGBT writer, and describes himself as a di...

Film review search

The fields "country of origin" and "actor" were created in May 2023, and the results are limited to after this date.

interview

Nataliia Serebriakova interviews the directors of "traumatising" children's [Read More...]

1

Paul Risker interviews the co-director, writer and actress [Read More...]

2

Paul Risker interviews the director of the generational [Read More...]

3

Nataliia Serebriakova interviews the German director of observational [Read More...]

4

Victoria Luxford interviews the first woman director from [Read More...]

5

David Lynch's longtime friend and producer talks about [Read More...]

6

DMovies' editor Victor Fraga interviews the woman at [Read More...]

7

Eoghan Lyng interviews the director of family/terrorist drama [Read More...]

8

Read More

Jaripeo

Efraín Mojica, Rebecca Zweig
2026

André Vital Pardue - 09-02-2026

Raucous and adventurous documentary inquires into the queer community of Mexican rodeos - from Sundance and the Berlinale [Read More...]

Clothes and control: the dress outlives its creator

 

Piret Ilves - 08-02-2026

Advocate for Conscious Clothing Piret Ilves unravels Alex van Warmerdam’s The Dress and reveals that our social responsibility does not end at the moment of creation [Read More...]

1981

Andy London, Carolyn London
2026

Nataliia Serebriakova - 08-02-2026

Adults prepare the birthday party from hell, leaving children disturbed and traumatised - deeply personal and audacious animation premieres at Sundance [Read More...]