DMovies - Your platform for thought-provoking cinema
Time to wake up! Jim Jarmusch's latest flick is a repetitive and sleepy poem about a bus driver, but sadly the director's distinctive wit and genius are mostly missing. And you may fall asleep during the movie, too.

Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz. ZZzzzzzZzzzzzzzzzzzzzzzzzzzzzzzz. RON PCH. Zzzzzzzzzzzzzzzzzzzzzz. hngGGggh-Pfnhjv. ZzzzzzzzzzzzzzzzzzZZZZZ. This is the mode Paterson puts you on. The film opens with Adam Driver (Paterson) and Golshifteh Farahani (Laura) sleeping. That sequence will be repeated, with very subtle variations, another six times, for each day of the week. After 40 minutes outside the cinema theatre, you’ll still be sleepy or hypnotised.

The idea behind the film is not new in Jim Jarmusch’s artwork: to bring poetry and music – in this case, hip hop – to cinema. He’s done that several times with a relative innovative point-of-view. In Dead Man (1995), a Gothic William Blake (Johnny Depp) is a wanted outlaw living in a cruel and chaotic world. In Down by Law (1986), a DJ (musician Tom Waits) divides a prison cell with a pimp (composer John Lurie) and an Italian tourist (Roberto Benigni). More recently, in Only Lovers Left Alive (2014), Jim imagined a vampire as a musician (Tom Hiddleston in the role of Adam) whose hobby is to collect vintage instruments as well as to moan about the state of the modern world and music scene. All those previous features contain a hybrid of glamour, noir and mist. Sadly, that missing in Paterson.

The new film, that premiered earlier in May in Cannes, portrays a bus driver who also happens to be a poet. His name is Paterson and he lives in Paterson, New Jersey. ‘Paterson’ is also the title of an epic poem by American poet William Carlos Williams published in five volumes from 1946 to 1958. (O, Muses, where are you? Are you also sleeping? There are too many Patersons here.) The issue is that William Carlos Williams’ poems were experimental, even revolutionary, whilst Paterson’s (the character) aren’t. They are very flat and descriptive. One of them describes a matchbox in as much detail as possible!

Maybe Jarmusch wanted to tell the story of an ordinary man who escapes his routine by writing poems. If so, art could rescue Paterson from the weariness of a bus driver’s life. Poetry saves the dull man. But what we taste is the dullness, not the poetry. Paterson has no ambition; he writes for himself, he doesn’t want to publish. Besides he does the same thing everyday: he wakes up between 6 am and 6:30 am, he walks to the bus depot, he observes his passengers, he goes back home, walks the dog and has a pint in the same pub every night. And then it’s time to sleep again. Zzzzzzzzzzzzzzzzzzzzzzzzz.

His crestfallen personality hits his partner’s joie de vivre. Laura is a colourful bird in a cage. She’s is full of life, she insists that his poems are good and everyone should have a chance to read them. She spends her time at home, painting curtains, learning music or cooking cupcakes. She is about to explode with life every time the camera focus on her, but then the light fades away. She surrenders to Paterson’s grey stupidness. Only a stupid man would allow his art to end as it did in the movie. (ZZZZZZZZZZZZ. Did you wake up? This is a spoilerless review.)

Well, then, maybe it’s time to go to bed. Grab a book.

Paterson was part of BFI London Film Festival that ended last Sunday. It will be released nationwide on November 25th. Stay tuned for a reminder around the time!

Watch the film trailer here:

.

https://www.youtube.com/watch?v=ctr3KdC-BdA


By Maysa Monção - 21-10-2016

Maysa Monção is a Brazilian writer, teacher, translator, editor and art performer who currently lives in London. She has a Masters Degree in Film Studies from Tor Vergata University in Rome, Italy, ...

DMovies Poll

Are the Oscars dirty enough for DMovies?

View Results

Loading ... Loading ...

Most Read

Forget Friday the 13th, Paranormal Activity and the [Read More...]
Just a few years back, finding a film [Read More...]
A lot of British people would rather forget [Read More...]
Sexual diversity is at the very heart of [Read More...]
Pigs might fly. And so Brexit might happen. [Read More...]
Films quotes are very powerful not just because [Read More...]

Read More

Our dirty questions to Ziad and Christine

 

Victoria Luxford - 24-07-2024

Victoria Luzford interviews Ziad H. Hamzeh and Christine Handy, the director and original writer/ exec producer of Hello Beautiful, an emotionally compelling drama about successful model, her mother, and a life-changing diagnosis [Read More...]

One city, one planet, many films

 

Marina Hillquist - 23-07-2024

Marina Hillquist investigates the environmental impact of film production, and reveals how Gainesville (a city in Florida, United States) is leading the way [Read More...]

The cinematic evolution of videogames

 

Tania Dickson - 22-07-2024

Tania Dickson looks back at the fairly young history of video games and unearths some uncanny similarities and affinities with the seventh art [Read More...]